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产品展示首页 > 产品展示 > 》调音台系列 > MIDAS > PRO Series Live Audio System

MIDAS PRO6

 MIDAS PRO6

 MIDAS PRO6 Front

 

 

MIDAS PRO6 rear

 MIDAS PRO6 rear

 

 

MIDAS PRO6

MIDAS PRO6 

 

产品介绍 MIDAS PRO6为MIDAS大型数字调音台PRO系列的核心产品。PRO6提供64个输入通道和35条输出母线,并且都能加载EQ和有多种模式的动态处理器。通过扩展音频接口箱硬件,PRO6的音频网络内最多达288输入×294输出,任意输入与输出可以直接点对点路由分配,通过功能强大的自动场景控制系统,内部音频接线或路由分配可以是基于场景(scene)的。
PRO6可以使用MIDAS的全系列音频接口箱,包括DL251固化舞台接口箱,极受欢迎的DL431 24路一分五话筒分配器(3路模拟信号,2路数字网络信号),并且冗余备份连接。要想更灵活地使用,可以添加KLARK TEKNIK DN9650数字音频转换器,连接MADI和Dante等格式的信号。
使用MIDAS的VCA或POP编组功能,就能直观地查找到通道,而无需“翻页”。PRO6自然拥有具有传奇色彩和受欢迎的MIDAS声音特性,以及大量的效果器和动态处理器,包括受称赞的XL8风格压缩器。 产品特性 音频网络内最多288输入×294输出的任意点对点路由分配
56个可控全处理输入通道
8个辅助返回通道
最多同时80个混音通道
16个Group/Aux和16 Matrix - 在“返送”模式下32个混音母线
35混音母线
10 VCA
6 POP编组
8个效果器机架
多达36通道KT图示均衡器 - 可以用DN9331 Rapide控制
可配置的“Area B”(B区)
控制界面音频I/O(3个扩展卡槽):DL443 “TRS”卡,DL452 AES/EBU 输入和输出“D”卡,DL442 模拟输出“O”卡
舞台音频I/O:DL351 56输入/8输出模块化接口箱(8个音频卡槽)
双冗余HyperMac (192x192) CAT5-e网线提供
光纤接口,最远达500m连接距离
控制中心提供护运航空箱
可以提供16U航空箱用于DL371 DSP和DL351接口箱

 

 

PRO6 Overview
PRO6 comprises a control surface (console), a DL371 modular, upgradeable, remote processing engine, and a networked system of I/O devices (up to 11 discrete devices) all connected by inexpensive CAT 5e cabling. Each PRO6 Touring Package ships complete with a MIDAS DL351 modular stage box, featuring 56 MIDAS mic inputs and 8 analogue XLR outputs in its default configuration. PRO6 is also compatible with any of the MIDAS DL series digital I/O units. In addition to this, the PRO9 console has three card slots on its rear panel which can house any combination of MIDAS DL series I/O cards. The default configuration is 8 line inputs and 8 analogue outputs with TRS connectors, 8 XLR analogue outputs, 8 digital inputs and 8 digital outputs on 4 AES3 input/output pairs. This can be quickly reconfigured with whatever I/O is required. Redundant power supplies are included with every system as part of the PRO6’s failure-tolerant architecture.

PRO6 is easy to configure and operate. Engineers who are new to MIDAS digital can relax, enjoy the PRO6’s sample-synchronous audio quality, and mix from well within their comfort zone. Engineers already familiar with MIDAS can just load their existing show file straight into the PRO6, regardless of which MIDAS digital console it was created on, and carry on working.

In addition to the PRO6’s 56 primary input channels, PRO6 also features 8 aux returns, all of which feature 4-band MIDAS parametric EQ and insert points. These 8 aux returns can be used as returns for the PRO6’s 8 internal multichannel FX processors, or as additional mic input channels.

A total of 64 input channels have routing to 35 phase-coherent mix buses, which comprise 16 user-configurable buses (which can be mixes, subgroups or mix minus groups), and 16 matrix buses. The Matrix buses source from inputs, as well as groups, and so can be used as 16 additional auxes (monitor mix and FX sends) which provides a total of 32 mixes (plus L, R & Mono) for monitor mixing duties. All buses can be linked as stereo pairs (except the mono bus).

As with all MIDAS digital consoles, the audio paths can be routed to multiple destinations and the console format can be reconfigured live on a scene-by-scene basis.

By fitting additional DSP modules and I/O, PRO6 can be upgraded to full PRO9 configuration, which features 88 input channels, 8 multichannel FX processors and 35 mix buses.

11 x 96 kHz AES50 ports providing a maximum of 288 inputs and 294 outputs
Up to 24 user-configurable inputs and outputs on the console
64 simultaneous input processing channels
35 sample-synchronous, phase-coherent mix buses
Up to 16 multichannel FX engines
Up to 36 KLARK TEKNIK DN370 31-band Graphic EQs
Dual full-colour 15" daylight-viewable display screens
Touch-sensing, fully interpolated controls throughout
10 VCA (Variable Control Association) groups
6 POPulation groups
96 kHz 40-bit floating-point processing throughout
Remote, modular processing engine
Modular, user-configurable I/O
Dual-redundant control computers
Dual-redundant CAT 5e network connections
Redundant power supplies on both console and processing engine

 
 
MIDAS PRO6 Audio Quality

 MIDAS Audio Quality

The MIDAS reputation for fantastic audio quality has evolved over 40 years of development and research.

By continuing to design the world's best live sound mic preamps through use of superior components, MIDAS has carried this tradition into the digital realm. Adding the best converters and custom processing algorithms to the mix, MIDAS takes audio quality to another level.

A major problem affecting many digital consoles is a lack of attention to delay management. All digital processing takes time to run.

Mix engineers working on analogue consoles routinely combine signals with different signal paths and processing, and expect to do the same with digital mixers. On most current digital consoles, combining signals in this way leads to the summing of signals that are partly out of phase. MIDAS digital systems are the only live sound systems in the world to have a comprehensive and automatic latency management system. Which, in addition to managing all internal routing and processing latency, also includes compensation for additional A/D & D/A conversions required when connecting external analogue inserts. This means that all audio samples are synchronised before summing, resulting in absolute phase coherency at all outputs.

MIDAS digital consoles feel, as well as sound superb. All the variable controls on the console are genuine analogue high-precision potentiometers, not mechanical encoders. These access the processing algorithms through precision instrumentation A/D converters, and MIDAS I/O and DSP units can be freely distributed into multiple locations. In particular, I/O units can be placed exactly where they are needed.

Every transition of a network adds delay. MIDAS AES50 networks have only 70 microseconds of latency per hop, so even a multi-hop routing has negligible aggregate delay (latency), making it perfect for in-ear monitoring. All inputs and all outputs are time-aligned to sample accuracy, no matter where they are in the network or how they are routed. This is another major contributor to the performance of a MIDAS digital console and that magical MIDAS sound.

Over 40 years of audio mixing console development and research
Comprehensive and automatic latency management system including compensation for external analogue inserts
MIDAS custom interpolation algorithms
Comprehensive automatic time alignment
KLARK TEKNIK's SuperMAC implementation of AES50 for incredibly low 70 microseconds of latency per link
 
 
MIDAS PRO6 Ergonomics
 Ergonomics
Display screen
 
The high-resolution screen remains visible even in direct sunlight. In this aspect, the MIDAS’ visual support is exceptional, as most conventional consoles become difficult, or impossible to operate in high ambient lighting.
 
The screen provides visual feedback for the entire system. Pressing the HOME key (just to the left of the assignable controls) instantly displays the console overview screen, which keeps all vital information (all metering, all fader positions, mutes and solos) in view at all times.
 
Detail panel area
 
The detail panel is a vertically oriented channel strip, with an almost identical layout to the PRO2, 3, 6 and 9. The controls are configured in a logical, signal-path sequence and are easily identified by their relative positions. Both analogue users and digital adopters will find no difficulty using the large multi-colour LCD channel select buttons for navigating the console.
 
 
MIDAS PRO6 Mic Pres
Mic Pres
The MIDAS microphone preamp is the one by which all others are judged. Still built from discrete components, and still based on the designs which were so successful in the legendary MIDAS analogue consoles such as the XL3, XL4 and Heritage, the current expressions in the XL8 sound better than ever.

Whether you want pristine, transparent reproduction, or that renowned MIDAS warmth and colouration, MIDAS’ dual (analogue and digital) gain stages enable you to shape the mic preamp's character according to your own preference. All MIDAS digital consoles feature two input gains per channel. First is the remote analogue gain for that wonderful MIDAS mic preamp, and the second is a digital trim. Set the analogue gain for the desired amount (if any) of that famous MIDAS “warmth”, then use the digital trim to achieve your preferred gain structure.

Unique MIDAS sound
Based on MIDAS’ legendary analogue mic preamps – XL4, XL3 and Heritage Series
Both analogue and digital gains
 
 
 
 
MIDAS PRO6 VCA and POPulation
 
 VCA and POPulation
With the advent of digital technology, channel counts and processing features have grown to a point where it is no longer practical to have all controls physically available at the same time. Additionally, the logistical advantages of smaller control surfaces are becoming increasingly attractive. MIDAS’ unique approach to solving this problem is to mirror the natural work flow used by mix engineers and to provide control and supporting feedback of system status at all levels, from the highest overview to the finest detail. This encourages the development of a mental picture, or “Mind Map”, of the whole system, even though focus may only be required on limited, specific functions.

For example, channels by default are not layered but scrolled. By being scrolled, the console displays act as a window onto the available channels in the system and allow you to think of the channels in a simple linear progression, rather than forcing you to remember which layer contains the channels. This scrolled format brings the console to you, rather than forcing you to search for specific elements. 

But this is only the beginning. 

At the heart of MIDAS console navigation are the VCA and POPulation groups, which provide primary access to multiple channels (typically grouped into related clusters by mix engineers). To access all the channels belonging to any of the VCA or POP groups, merely press the select switch. Selecting a VCA or POP group will bring all of the members of that group to the designated area of the control surface, populating from the VCA area outwards. If the group has more members than visible channels, the group can be viewed by scrolling the input bay. This work flow is applied to every area of the console, ensuring consistent ease-of-use and appropriately fast access to all controls.

To help further improve the “Mind Map”, live sound engineers have typically used colour when navigating mixing consoles by applying different-coloured adhesive tape and swapping coloured fader knobs to help make console navigation faster and more intuitive. MIDAS have taken this established principle of channel recognition and applied it to VCA and POPulation groups with assignable colour coding and digital write-on buttons. 

VCA and POPulation groups both have assignable colour coding and digital write-on buttons
VCA Groups allow access to all the channel faders belonging to any of the VCA groups at the press of a switch
POP (POPulation) groups can contain any combination of channels that you want to access instantly at the press of a switch
VCA and POP Groups encourage the development of a mental picture, or “Mind Map”, of the whole system
Selecting a VCA or POP group will bring all of the members of that group to you, rather than you having to go looking for them
Input channels can be viewed either by scrolling the input faders or by pressing the EXTEND button, which will populate the VCA faders with additional members of that POP group
 
 
 
MIDAS PRO6 Equalisation
Equalisation
MIDAS digital EQ features fully-interpolated controls, which recreate the original phase shift as experienced when working on the world's best-loved analogue consoles. 

Each input channel has 4-band parametric EQ, with a choice of 4 different filter types for both the high and low filters. These powerful EQ options enable the user to employ EQ filters which emulate the sound of historic MIDAS consoles or to choose advanced digital filter types, freed of the limitations of analogue circuitry.

Fully interpolated controls
4-band parametric EQ
4 different filter types
 
 
 
MIDAS PRO6 Dynamics Processing
Dynamics Processing
The dynamics processing on the PRO6's input channels is identical to the much-acclaimed MIDAS XL8. Each input channel features a frequency-conscious gate and a choice of 4 different compressor algorithms. Further creative expression are available, as all 4 compressor algorithms feature variable knee, internal and external side-chain filtering, and colouration artefact options.

Output (bus) compression offers a choice of 5 different options. These 5 compression algorithms are designed to provide the engineer with a broad pallet of options for maximum creative potential, right down to the visual display on the screen changing to support the different styles. More dynamics processing options are available in the PRO6’s FX rack, including multi-band compression and dynamic equalisation.

XL8 dynamics processing
4 different input compressor algorithms
5 different output compressor algorithms
A wide choice of dynamics processing
 
 
 
MIDAS PRO6 FX
FX
The cutting-edge 40-bit floating-point DSP processing hosts a wide choice of virtual FX devices, which range from dual-stereo delay units, stereo modulation and many diverse reverb FX, to multiband compression, dynamic EQ and multichannel dual-function dynamics processing.

All FX processors are custom-designed to function within the MIDAS automatic latency compensation system. This ensures a phase-coherent, sample-accurate mix regardless of whether the FX devices are used as channel inserts or on a send-and-return basis.

In addition, delay FX can be individually configured to synchronise to the XL8 button. This synchronization makes on-the-fly changes to delay effects simple and painless.

40-bit floating-point audio processing
Custom-designed FX processors
Internal FX processors operate within MIDAS’ automatic latency compensation
 
 
 
MIDAS PRO6 Surround Sound
Surround Sound
In addition to normal stereo and SIS (Spatial Image System) operation, the console can operate in one of three surround sound modes:
Quad 4-Channel – L-R front plus L-R rear
LCRS 4-Channel – L-R-C plus single rear channel
Quad 6-Channel – L-R-C plus sub plus L-R rear
All three surround modes feature a divergence control to tailor the depth of the surround panning. Dynamic surround panning can be implemented using the consoles trackball, or the USB pointing device of your choice.
 
 
 
 
MIDAS PRO6 Navigation Mode
Navigation Mode
There are 4 modes of channel and mix bay navigation: FLIP Navigation, FX Navigation, GEQ Navigation, and MCA Navigation. These 4 options allow an engineer to easily and efficiently mix a large number of inputs on a compact control surface.

FLIP Navigation

When in FLIP navigation mode, and the FLIP button is engaged, selecting an output flips the input faders to become the input channel send levels to the selected output. The console will only populate with the input channels that are assigned to the selected output.

FX Navigation

When the FX navigation button is engaged, selecting an output which is patched to an internal FX processor, this mode will deploy that FX processor on the display screen and map the ASSIGNABLE CONTROLS to the FX processor. If FADER FLIP is also engaged, the input channel faders will become the contributions to the FX processor. If COLLAPSED FLIP is selected, the operator will only be presented with input channels that are sending to that FX processor.

GEQ Navigation

When the GEQ navigation button is engaged, selecting an output which has a GEQ assigned, this mode will present the GEQ on the VCA faders. Scrolling the VCA faders left and right will provide access to all 31 GEQ faders. If FADER FLIP is also engaged, the input channel faders will become the contributions to the selected mix. If COLLAPSED FLIP is selected, the operator will only be presented with input channels which are sending to that mix.

MCA Navigation

If the MCA navigation button is engaged, when an output (mix) is selected, the MCA faders for that output will be deployed on the VCA fader bank. When in Advanced navigation mode and MCA navigation is engaged, the MCA faders control the contributions of their members only to the currently selected bus. This is a unique and powerful mixing tool, which puts MIDAS in a class of its own for innovation and usability.

Total Flexibility

This navigation flexibility makes working with the console as simple as requirements dictate, or as deep and complex as a user desires. To further illustrate the concept, think of multilayered 3-D VCAs, or a mixing console with a bank of VCAs for each input! Both are valid starting points.

This workflow approach applies to every area of the control surface, ensuring ease of use and appropriately-fast access to all controls.
 
 
 
MIDAS PRO6 Automation
 Automation
One of the most critical requirements for theatre applications is the power and flexibility of console automation. The MIDAS PRO6 has taken into consideration these very specific requirements, and features the same automation software as the XL8, which is itself no stranger to Broadway! 

The PRO6’s automation system can store and recall up to 1000 snapshot scenes. These contain the audio parameter values for every control on the console as well as the network routing, configuration of the FX rack, and the format of the mixer itself, all of which is scene-specific. 

Hardware automation “safe” buttons are provided to enable the operator to quickly isolate selected processing areas from recall should this be required during a performance. In addition to these isolation functions, the store and recall of scenes can be “scoped” such that only the areas that the operator wants to store or recall are affected (all other controls remaining in their current state). 

Channel settings can be edited in advance of recall – across all scenes – from the SHOW EDITOR screen, and scenes can be re-ordered, inserted and deleted, simply and quickly, without overwriting their designation. Scenes can be recalled instantaneously, with no discernible drop in audio, or via complex crossfade options, including programmable surround-sound panning events.

MIDI input and outputs are provided, for control of external MIDI devices, or for recalling console events from an external MIDI source. All software versions, including stored shows on a USB stick, are both forward and backward compatible, i.e. a show created on one PRO6 can be loaded into another MIDAS console regardless of the software version on either system. PRO6 show files are also compatible with all other MIDAS digital console systems.

1000 snapshot scenes
Scene-specific routing
Scene store and recall can be ''scoped''
MIDI inputs and outputs provided
Software versions forward and back ward compatible
Show files compatible with any MIDAS digital console
 
 
 
 
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