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产品展示首页 > 产品展示 > 》调音台系列 > MIDAS > Analogue Mixing Consoles VENICE系列

MIDAS VENICE F-32

 MIDAS VENICE F-32

MIDAS VENICE F-32 Front

 

 

 

 MIDAS VENICE F-32

MIDAS VENICE F-32 rear

 

 

MIDAS VENICE F-16

 

Overview
VeniceF is much more than a compact live audio console. VeniceF is the platform for a completely integrated audio mixing, recording and processing package - thanks to its FireWire* digital audio interface which is capable of supporting up to 32 x 32 channels of high-quality, 24-bit audio.
 
Here at MIDAS, we know what it takes to design and build live sound consoles for the world’s most demanding tours and installations. One look at the VeniceF confirms that this console continues the legacy established by the groundbreaking XL3 and XL4 consoles, and consolidated in the industry-leading Heritage series.
 
The hybrid VeniceF bridges the gap between analogue and digital audio consoles, and offers the user the ease-of-use, warmth, feel and zero-latency of analogue, combined with the power, choice and flexibility of outboard digital processing. Specifically designed for live sound, the superb audio performance, and the addition of the FireWire digital audio interface means that the VeniceF is equally at home in recording and mixdown applications.
 
Many manufacturers cut quality when they design small mixers. At MIDAS, we understand that a modest footprint doesn’t have to mean compromised performance and a poor feature set. The VeniceF embodies quality, from its rugged construction and top-of-the-range components to the unmistakable MIDAS sound, which makes VeniceF a truly professional audio console.
 
From the VeniceF’s horizontal fader panel, through the class-leading parametric EQ filters, to the latest expression of that legendary MIDAS mic preamp, this is a console without compromise.
▪ Frames: 16, 24, 32 and 13U 16-channel rack mount
• Overload-tolerant MIDAS mic preamp with polarity switch, high-pass filter and -20 dB pad
▪ Up to 32 input / 32 output 24-Bit FireWire digital audio interface
▪ Industry-acclaimed 4-band swept MIDAS EQ with fully parametric hi-mid and lo-mid filters
▪ Analogue or FireWire input select switch for all mic channels, allowing “virtual sound check” and record mixdown
▪ 6 auxes with individual buss pre/post fade switching and routing to FireWire
▪ 7 x 2 matrix with stereo split switching and routing to FireWire
▪ Individual phantom power for each mic input (including stereo channels)
▪ Stereo channels have fully-featured dual mic preamps with individual left and right gain control
▪ Analogue and FireWire direct outputs with pre/post EQ switching
▪ Discrete stereo master buss with individual routing to FireWire plus discrete mono master bus
▪ 4 audio subgroups with fader flip to auxes and routing to FireWire
▪ Highly efficient integral auto-ranging switch mode power supply
▪ Rugged, roadworthy, tour proven construction with 3-year warranty

 

 

MIDAS VENICE F-16

 Digi-log - FireWire

VeniceF’s FireWire interface can be used with any computer fitted with a 1394 port and is effectively a multichannel digital audio link. This interface connects directly to your computer and allows the use of third party audio processing software in conjunction with the console. Applications include multi-track recording from the VeniceF's digital direct outputs, software-generated FX processors driven from aux sends or direct outputs, and your favourite plugins inserted on input channel FireWire send/returns. All with a heart of pure MIDAS.

A/D and D/A conversion is achieved using techniques and advanced filter designs developed for the industry-leading MIDAS XL8 digital mixing system. This ensures that the conversion process is transparent and free from any undesirable digital artifacts – preserving that unmistakable MIDAS sound right into the digital domain.

Up to a 32 x 32 channel FireWire interface
Allows the use of third-party plugins
Industry leading A/D and D/A conversion
 
 
 

MIDAS VENICE F-16

 Buss Structure

The bus structure comprises 6 aux sends, 4 subgroups, and stereo and mono master outputs, plus an additional mono bus and a 7 x 2 matrix. All bus outputs feature XLR connectors and insert capability. Routing options are comprehensive and flexible. VeniceF has individual routing to groups, all 6 aux sends are individually-switchable pre or post fade, and the two aux buses designated as monitor (foldback) sends are also switchable pre/post EQ on an individual input channel basis.

▪ 6 aux sends
▪ 4 groups
▪ Stereo master outputs
▪ Mono Buss
▪ 7 x 2 matrix
 
 
 

MIDAS VENICE F-16

 Mono Input

VeniceF and VeniceU mono inputs pack a host of features, starting with the indispensable MIDAS mic pre, still crafted from discrete components, rather than the cheaper IC option. The 15 mm gain pot is surrounded by a quartet of switches: +48 V, -20 dB pad, polarity reverse and 80 Hz hi-pass. A further pair of switches select analogue or digital (FW) input and analogue or digital (FW) direct out pre or post EQ. Switches with LED status indicators are provided for insert and EQ in/out.

The equaliser section is an updated MIDAS XL3 design, featuring 4 bands of swept MIDAS EQ, with the addition of variable bandwidth on the 2 midrange filters. All input channels, groups and masters feature high-precision 100mm faders.

▪ MIDAS XL3 EQ
▪ +48 V
▪ -20 dB pad
▪ 80 Hz hi-pass
▪ FireWire input and direct out
▪ 100mm faders
 
 
 

MIDAS VENICE F-16

 Stereo Input

VeniceF and VeniceU stereo inputs have 2 mic and 2 line inputs each. Mic inputs feature separate gain for left and right inputs, and the same mic amp functions as the mono inputs. Both mic and line inputs can be used simultaneously, with the line inputs routed direct to masters, while the mic inputs route via the channel. Stereo channels have 4-band fixed frequency EQ, and a sum-to-mono switch.

▪ MIDAS 4-band fixed frequency EQ
▪ +48 V
▪ -20 dB pad
▪ 80 Hz hi-pass
▪ FireWire input and direct out
▪ 100mm faders
 
 
 

MIDAS VENICE F-16

 Matrix

The 2-channel 7 x 2 output matrix has level controls which source from the 4 groups, Left, Right and Mono outputs. Each channel features level output control, mute and solo switches with LED indication. There are additional switches which split the L & R contributions to the matrix (default is a sum of L & R) and to send the matrix outputs to the FireWire interface instead of the L & R mix.

Both Matrix channels feature balanced XLR output connectors and single TRS insert points.

▪ 7 x 2 matrix
▪ Routing to FireWire
▪ XLR Outputs
▪ TRS insert points
 
 
 

MIDAS VENICE F-16

 Construction
Many manufacturers cut quality when they design small mixers. At MIDAS we understand that modest channel count doesn’t have to mean compromised performance and a poor feature set. The VeniceF embodies quality, from its rugged construction and top-of-the-range components through to the unmistakable MIDAS sound, which makes the VeniceF a truly professional audio console.

The frame is a typical MIDAS steel section, providing sufficient strength and rigidity for a hard life on the road. Potentiometers are metal-shafted, and individually nutted to the steel fascia panel. The console is finished in the well-known MIDAS livery, with the addition of striking metallic corner protector inserts.

▪ Rugged, roadworthy, tour-proven construction
▪ 3-year warranty
 
 
 

MIDAS VENICE F-16

Weights and Measurements
VeniceF 32
Mic inputs:24 mono plus 4 stereoXLRF
Line inputs:24 mono plus 4 stereoTRS
Aux returns:2 stereoTRS
Playback input:1 stereoRCA
Talkback mic input:1XLRF
Aux mix busses:6XLRM
Audio subgroups:4XLRM
Matrix:7 x 2XLRM
Stereo master outputXLRM
Mono master outputXLRM
FireWire (1394)FW400 (6 pin)
Width**1007mm / 39.64"
Depth**669.30mm / 26.35"
Height**286.28mm (Including feet) / 11.27"
Weight**37.5kg / 82.67lbs
* FireWire and the FireWire symbol are trademarks of Apple Inc., registered in the US and other countries. The FireWire logo is a trademark of Apple Inc.

** weights and dimensions are approximate and out of the flight case

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