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产品展示首页 > 产品展示 > 》调音台系列 > PreSonus > StudioLive系列

PreSonus StudioLive32.4.2 AI数字调音台

 PreSonus StudioLive32.4.2数字调音台

PreSonus StudioLive32.4.2AI数字调音台

 

 

 

PreSonus StudioLive32.4.2数字调音台 back

PreSonus StudioLive32.4.2AI数字调音台

 

 

 

PreSonus StudioLive32.4.2数字调音台

PreSonus StudioLive32.4.2AI数字调音台

 

 

 OVERVIEW

Digital Mixing: the next generation

With its incredible signal-processing power on every channel, easy store and recall of every setting, and the ability to record it all with just two mouse clicks, a StudioLive mixer will spoil you fast! Easier to use, better sounding, and flawlessly integrated with state-of-the-art software, it delivers the most creative environment possible for both live performance and studio music production.

The 32-channel, 14-aux PreSonus® StudioLive™ 32.4.2AI starts with all the strengths of previous StudioLive models—and then pushes the technology to the next level.

StudioLive 32.4.2AI is built with next-generation Active Integration technology that adds unprecedented power for mixing consoles anywhere near this price class. So while the 32.4.2AI looks and feels much like its non-AI counterparts it has with far more computing power, which makes possible some very useful new features.

For starters, you get twice as many internal effects buses and 31-band graphic EQs. We’ve added six mute groups and user-assignable Quick Scene buttons. You’ll love the ability to create two complete sets of EQ and dynamics settings for a channel or bus and then make quick A/B comparisons at the touch of a button.

A built-in 48x34 FireWire S800 interface is standard equipment but Thunderbolt and Dante cards are expected by the end of 2013. A dedicated USB 2 port and included Wi-Fi LAN adapter lets you control the mixer wirelessly—even without a Mac® or Windows® PC.

Of course, you get the latest version of our tightly integrated software bundle, including updated Capture™ 2.0 recording software, Studio One Artist® DAW, and Virtual StudioLive-AI editor/librarian/control software with Smaart Measurement Technology™. StudioLive Remote-AI for iPad® and QMix™-AI for iPhone®/iPod® touch will both be available free from the Apple App Store.

The deeper you dig into the StudioLive 32.4.2AI’s capabilities, the more you will realize that the future of digital mixing starts here and now!

 

FEATURES

 

  • 33 mic high-headroom Class A XMAX™ mic preamplifiers (32 channels plus Talkback)
  • 32 balanced TRS line inputs
  • 4 subgroups
  • Stereo/mono main out
  • 14 auxiliary mixes
  • 48-in/34-out FireWire S800 digital recording interface (24-bit/44.1 kHz and 48 kHz)
  • Studio One® Artist Digital Audio Workstation software for Mac® and Windows®
  • Capture™ 2.0 recording software for Mac® and Windows®
  • StudioLive Remote-AI mixer-control software for iPad® available free from Apple App Store
  • QMix™-AI aux-control software for iPhone® and iPod touch® available free from Apple App Store
  • Direct recording interface compatible with Logic®, Nuendo, Cubase, Sonar™, Digital Performer™, Ableton™ Live, and more
  • 60 channel strips
  • Trim control with –20 to +20 dBV line/-15 to +65 dBu mic gain range (80dB!)
  • +48V phantom power switch for condenser microphones
  • Digital Audio Input Select
  • 100 mm precision faders
  • Lighted Solo and Mute buttons
  • 6 mute groups with All On/All Off switches
  • Access to Fat Channel functions
  • 15-LED ladder metering + clip LED
  • Analog ¼" insert (rear panel)
  • 4 subgroup buses, each with:
    • Solo
    • Mute
    • Access to Fat Channel functions (except high-pass filter and phase reverse)
  • 14 aux sends, each with
    • Solo
    • Mute
    • Pre/post-fader send
    • Output-level control
    • Access to Fat Channel functions (except phase reverse)
    • Mix and Mix/Pan Fat Channel value displays
    • Available sources: 32 input channels, Aux In A and B, Tape Input, Main digital-audio return, FXA, FXB, FXC, FXD, Talkback
  • 4 internal effects sends (two reverbs, two delay effects), each with:
    • Mute
    • Pre/post-fader send
    • Output-level control
    • Access to Fat Channel (except phase reverse)
    • Effects-send Select for Fat Channel metering
    • Mix button for aux-bus mixing and Fat Channel value displays
  • Master Section
    • Aux Input A and B
      • Level Control and Select (Fat Channel metering) switch
      • Access to all Fat Channel functions (except phase reverse)
    • Talkback System
      • Mic Level control
      • Output Select (Aux 1-2, 3-8, 9-14, Main)
      • Talk button
      • Rear-panel XLR mic input with trim control and continuous 48V phantom power
    • 2 Track In
      • Level control
      • Tape Input to Mains button
      • Main Digital Audio Return on/off
    • Solo Bus
      • Cue Mix volume control
      • PFL/AFL and Solo In Place (SIP) buttons
      • Latch, Radio, and CR Modes
    • Monitor Bus
      • Headphone-output level control
      • Control-room monitor-level control
      • Solo Bus to Monitor button
      • Tape Input to Monitor button
      • Main Digital Audio Return to Monitor button
      • Main Mix to Monitor button
  • Fat Channel with rotary encoders:
    • Pan with dedicated 15-LED display
    • Stereo link for input channels, aux buses, and subgroups
    • Phase reverse (main channels only)
    • High-pass filter: -6 dB/oct., sweepable from Off to 1 kHz (main channels and aux's only)
    • Gate: Threshold: 0 to -84 dB; Attack: 0.02 to 500 ms; Release: 0.05 to 2 sec; Bandpass Key Filter: 40 Hz to 16 kHz; second-order resonant bandpass filter Q (0.7) with Key Listen function
    • Compressor: Threshold -56 to 0 dB; Ratio 1:1 to 14:1, LIM=∞:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release
    • 4-band fully parametric equalizer
      • Low EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking
      • Low Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0
      • High Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0
      • High EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking
      • Master EQ On/Off button
    • Limiter: variable Threshold -28 dBfs to 0, ∞:1 Ratio
    • Alt EQ & Dyn button for quick A/B comparisons of two complete sets of Fat Channel settings for each channel and busOutput Assign: 4 subgroups and main
    • All settings can be copied among channels and buses and can be saved as user presets.
    • 50 channel-strip presets for drums, bass, guitars, keyboards, and vocals
  • 4 internal digital effects-processors (2 reverbs, 2 delays), each with 50 customizable presets
  • 16 31-band graphic equalizers
    • Assignable to each aux bus and the Main bus
  • Scene Store and Recall
    • Global Scene Storage: all current StudioLive settings
      • Up to 80 at a time
    • 6 Quick Scene buttons for instant Scene save/recall—like “speed dial” for Scenes
    • Automatic Global AutoStore
    • Customizable naming (for example, "Saturday Gig" or "Main Worship Service")
  • Individual channel-strip setting storage
    • Up to 48 at a time, plus…
    • 50 factory presets for instruments and vocal
    • Copy and Paste between channels
    • Can be browsed by category (DRM, VOX, HRN, GTR, BAS, MISC, SYS)
  • Lockout mode to keep inspired amateurs from changing your settings
  • Metering/Displays
    • 24 x 16- LED Fat Channel matrix:
      • Pre-dynamics/pre-fader input
      • Post-dynamics/post-fader output
      • Gain reduction
      • Aux 1-14 and EFX A-D output
      • Fader-position recall
    • 8 x 15-LED main meter bank
      • Selected channel level
      • Selected channel gain reduction
      • Sub buses 1 to 4
      • Main stereo outputs
    • 15-LED horizontal Pan/Balance display
    • 64 x 194 LCD matrix
      • Effects parameters
      • Scene creation, storage, and recall
      • System menus
      • Channel Info page with custom naming
      • GEQ Select
    • 2-digit Channel Selected display
  • Input/Output
    • 32 main inputs, each with XLR mic, ¼" line, and ¼" inserts
    • 2 ¼" balanced stereo (L/R) aux inputs
    • 1 XLR talkback-mic input with XMAX™ preamp, phantom power (always on), and level control
    • Unbalanced RCA stereo (L/R) tape inputs and outputs
    • XLR stereo (L/R) main outputs with level control
    • ¼" balanced stereo (L/R) main outputs
    • XLR mono output with level control
    • ¼" balanced stereo (L/R) control-room outputs
    • ¼" headphone output
    • 4 ¼" balanced subgroup outputs
    • 14 ¼" balanced aux outputs
    • 32 pre-insert, balanced direct outputs, Ch. 1-8, 9-16, 17-24, 25-32 (DB25 sockets)
    • Dedicated USB 2.0 port and included Wi-Fi LAN adapter for wireless communications
    • Installed Option Card with:
      • S/PDIF digital out
      • 2 FireWire S800 ports
    • Optional I/O cards
      • Thunderbolt-FireWire S800-S/PDIF Out
      • Ethernet/Dante-FireWire S800-S/PDIF Out
  • Digitalia
    • High-definition analog-to-digital converters (118 dB dynamic range)
    • Unlimited-headroom, 32-bit floating point, digital mixing and effects processing
    • Internal sample frequency 44.1 kHz and 48 kHz
  • Physical
    • Rugged, non-flex steel chassis
    • 100 mm long-throw faders
    • Military-grade, quick-touch buttons
    • BNC 12V lamp socket
    • Optional dust covers available
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